Brutalist totem sculpture - Igmar Stuer - Recent Added Items

Large console table by Roger Bonduel

Large console table by the Belgian sculptor Roger Bonduel (1930-2019) in acid-etched and patinated steel. The edge of the table is all around edged and the table top has a beautiful clouded patina. From 1961 to 1966, Roger Bonduel taught visual art at the Academy of Fine Arts in Bruges. Bonduel became best known for its sculptures, furniture, and bas-reliefs. He used nickel, copper, steel, silver, brass and bronze. He played an important role in the revival of religious art. This table was made in the 1960s for a an interiorproject of a modernist chapel in Belgium.

Sculptural cabinet by Roger Bonduel

Cabinet bar by the Belgian sculptor Roger Bonduel (1930-2019) in acid-etched and patinated steel. Posterior metal base. From 1961 to 1966, Roger Bonduel taught visual art at the Academy of Fine Arts in Bruges. Bonduel became best known for its sculptures, furniture, and bas-reliefs. He used nickel, copper, steel, silver, brass and bronze. He played an important role in the revival of religious art. This cabinet was made in the 1960s for a an interiorproject of a modernist chapel in Belgium. Dimenions H 156,5 cm x W 51 cm x D 29 cm / Height of the cabinet without custom made base 36cm

Christ sculpture by Roger Bonduel

Christ (height 160 cm) by the Belgian sculptor Roger Bonduel (1930-2019) in welded and patinated steel. From 1961 to 1966, Roger Bonduel taught visual art at the Academy of Fine Arts in Bruges. Bonduel became best known for its sculptures, furniture, and bas-reliefs. He used nickel, copper, steel, silver, brass and bronze. He played an important role in the revival of religious art. Known for his mastery of metal, Bonduel, who collaborated with modernist architect Paul Felix and glass artist Michel Martens, brought energy and movement to each piece he created. This sculpture, with its bold, abstract form and beautiful details, perfectly reflects his craftsmanship, balancing strength with elegance.

Sculptural table by Pia Manu

Coffee table, metal base, slate top, tin sculpture. Unique piece by the Belgian sculptor Jules Dewaele, better known as Pia Manu. As a great collector of fossils and trilobites, Pia Manu takes a fossil tin form that he superimposes on the table top in combination with slate mosaics. The base of the table is made of oxidated metal, Pia Manu treatened metals with an oxidation process to give the metal a unique texture and patina. Signed Pia Manu. Acquired directly from the artist in 1983 by the previous owner. Representative of the Flemish Brutalists. He models or sculpts primitive forms with materials of powerful texture or anti-poetic (as he calls them) using concrete, fossils, metals, glass, earth and slate.

'Totem' sculpture by Jacky De Maeyer

Totem sculpture in burnt oak by the Belgian artist Jacky De Maeyer, born in 1938 in Ostend. The sculpture has an anthropomorphic form with influences from African art, and dates from 1971. Jacky De Maeyer was born in Ostend in 1938. He has his studio in his native city and in Gordes (France). Since 1960 his work has been shown in over 300 solo and group exhibitions in Belgium and abroad, including in the United States, Switzerland, France, Luxembourg, the Netherlands, Greece and Korea. A number of monumental sculptures can be seen in different public places. The stylised shapes evoke, on the one hand, an archaic world of signs and symbols and on the other hand, a common spirit with the cultures of Africa and Oceania. In his oak sculptures, Jacky De Maeyer draws his inspiration from the organic world, stylising it into forms that are a synthesis between organic and geometric; ovals, pyramids, spheres are built up vertically in undulating or straight lines, either in a totemic symmetry or using an asymmetry that creates a harmonious tension. Exhibited at 'The Mansfield Fine Arts Guild' in Ohio USA, and won the first prize at the 9th Forest Sculpture Biennal (Brussels, Belgium)

'Totem' sculpture by Jacky De Maeyer

Totem sculpture in burnt oak by the Belgian artist Jacky De Maeyer, born in 1938 in Ostend. The sculpture has an anthropomorphic form with influences from African art, and dates from 1971. Jacky De Maeyer was born in Ostend in 1938. He has his studio in his native city and in Gordes (France). Since 1960 his work has been shown in over 300 solo and group exhibitions in Belgium and abroad, including in the United States, Switzerland, France, Luxembourg, the Netherlands, Greece and Korea. A number of monumental sculptures can be seen in different public places. The stylised shapes evoke, on the one hand, an archaic world of signs and symbols and on the other hand, a common spirit with the cultures of Africa and Oceania. In his oak sculptures, Jacky De Maeyer draws his inspiration from the organic world, stylising it into forms that are a synthesis between organic and geometric; ovals, pyramids, spheres are built up vertically in undulating or straight lines, either in a totemic symmetry or using an asymmetry that creates a harmonious tension.

Xxl wallsculpture by Pia Manu

Large hand crafted wall sculpture or sconce. Dimensions 170 x 90 x 10cm. Unique piece made by the Belgian sculptor Jules DeWaele, known under the pseudonym PIA MANU. Great collector of fossils and trilobites, Pia Manu takes back on this sculpture with primitive and rough sculptural forms , primal forms created by the power of nature. Made of concrete, iron and colored glass. Circa 1970. Representative of the Flemish Brutalists he models or sculpts primitive forms with materials with a powerful or anti-poetic texture (as he himself calls them) using concrete, earth and slate.

Antique Toposa shield

Beautiful early 20th century Toposa shield, made of leather and wood. Collected from a private Parisian collection and mounted on a custom made metal display. A Toposa shield is a traditional weapon used by the Toposa, an ethnic group in South Sudan. The shield, often made of thick hide, was an important part of their war dress, along with a long throwing spear. The Toposa were known for their cattle drives and cattle fights, and used the shield as a protection when attacking and fending off enemies

XXl engraving 'Plastica pictural' by Levai Zoltan

XXL engraving on paper by graphic artist Levai Zoltan (Born Hungary 1967). This artwork signed in 1994 is a part of the series 'Plastica Pictural' and is work number 00012, each unique work of this serie was titled with a number. This artwork depicts a non figurative person with a lot of abstract and strong drawings within the silhouet of the body, the intention of the artist is to think about the human body which is constantly in operation. Levai Zoltan is a painter and graphicus born in Hungary in 1967, in 1989 he became a member of the Young Artists' Studio and in 1996 he graduated from the Faculty of Painting of the Hungarian Academy of Fine Arts. Had a lot of exhibitions and publications worldwide. This artwork was shown at the 'Biënnale of Graphic arts' at Bruges in 1998.

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Early 16th C German Corpus Christi

Early 16th century Corpus Christi, made of oak, Germany between 1500 - 1550. This beautiful detailed Corpus Christi has a tender expression and a very nice patina with many traces of the original polychrome. The highly expressive details and anatomy are still visible. You can see the ribs, muscles and tendons very clearly.

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Old plaster horse 'San Marco Basilica' Venice

Old plaster cast depicting a horse head of one of the 'San Marco' basilica horses in Venice. The plaster cast dates from the 1950s and was made in the well known plaster workshop of the 'Cinquantenaire' museum in Brussels Belgium. The Horses of Saint Mark (Italian: Cavalli di San Marco), also known as the Triumphal Quadriga or Horses of the Hippodrome of Constantinople, is a set of bronze statues of four horses, originally part of a monument depicting a quadriga (a four-horse carriage used for chariot racing). The horses were placed on the façade, on the loggia above the porch, of St Mark's Basilica in Venice, northern Italy, after the sack and looting of Constantinople in 1204. They remained there until looted by Napoleon in 1797 but were returned in 1815. The sculptures have been removed from the façade and placed in the interior of St Mark's for conservation purposes, with replicas in their position on the loggia.

Huge forged iron candleholder

Huge antique forged iron candleholder. The forged iron is nicely detailed with hammered stripes and several curls. There is space for 9 candles. Origin Belgium around 1900.


Brutalist wooden 'totem' sculpture. Carved with a lot of elements in the shape of an eye. At each part of the sculpture you see several elements such as strong lines, holes, eyes and different shapes, which gives a tribal and brutalist effect. France 1970s, not signed.

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